Horacio Coppola’s images of the Argentine capital use illumination, nightfall and gloom in a way that is comparable to the likes of Rembrandt and Brassaï
Keluar dari bayang-bayang: Buenos Aires tahun 1930-an – dalam gambar
Horacio Coppola’s images of the Argentine capital use illumination, nightfall and gloom in a way that is comparable to the likes of Rembrandt and Brassaï