The racist abuse directed at Francesca Amewudah-Rivers shows how casting decisions have been hijacked by the culture wars
This past summer I played Rosalind in a production of As You Like It, a dream role. It came with huge responsibility, and I can’t imagine also being faced with what Francesca has had to go through recently. Nor have I, as a mixed race, light-skinned woman, suffered these same experiences. Casting has become a political act in film, theatre and TV, and the online discussions that follow casting announcements can become seedbeds of hate that primarily benefit social media companies, driving comments and clicks. Actors become the faces of these online controversies, and while they suffer the consequences, social media companies are never held responsible for the abhorrent comments fuelled by their sites.
